Still Standing Postcard Book Photographs

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Wallace Nutting sold more hand-colored photographs for the duration of America’s 1900-1940 “Golden Age of Hand-Colored Photography” than any other photographer of his time. It is approximated that amongst 5,000,000-10,000,000 of his pictures beautified the walls of middle class American homes for the duration of the early 20th century. Why was Wallace Nutting so successful? And why are his pictures still being widely accumulated today? This article represents a basic introduction into the world of Wallace Nutting Pictures.

It was shortly after 1900 that Wallace Nutting retired from the ministry due to ill health (he was a Congregational Minister in Providence RI at the time). As part of his recovery, he started out touring the New England countryside by carriage or car, taking photographs of rural New England. Nutting was one of the original to recognize that the American scene was changing. Industrialization was altering the way our country looked and our pure and picturesque landscape would never look the same again. He seemed to feel it his divine calling to record the beauty of America for future generations.

Beginning introductory in Vermont, then Massachusetts and Connecticut, and at long last allround the rest of New England, Nutting started out photographing country lanes, streams, rivers, lakes, orchards, blossoms, birches, and mountains. Wallace Nutting would take the photograph, assign a title, and instruct his colorists how it will have to be hand-tinted. Each picture that met Nutting’s high standards of color, composition, and taste would be affixed to it is matting and signed by his workers with the distinctive “Wallace Nutting” name. (He hardly ever signed any pictures by himself). Those pictures that did not meet his rigorous standards were destroyed. Beginning firstborn with outdoor (Exterior) scenes in New England, Nutting finally traveled all around the United States and Europe, taking photographs in 26 states and 17 alien countries amongst 1900-1935. Overall, he took more than 50,000 pictures, 10,000 of which he felt met his high standards. The remainder were destroyed.

It was around 1905 that Nutting begun taking his introductory indoor (Interior) pictures. Supposedly one day while it was raining outside, Mrs. Nutting suggested that he take a more “Personable” picture indoors. So, he set up a colonial scene, near a kitchen hearth, had an employee dress up in a colonial fashion, and took assorted dissimilar pictures. These sold comparatively without apparent effort which encouraged him to exaggerate more into this area. Nutting’s love of antiques, his passion for the pilgrim period, and his unquestionable desire to turn a earnings led him to ultimately buy and restore five colonial homes:

  • Webb House, Wethersfield, CT
  • Wentworth-Gardner House, Portsmouth, NH
  • Cutler-Bartlett House, Newburyport, MA
  • Hazen-Garrison House, Haverhill, MA
  • Saugus Iron Works (Broadhearth), Saugus, MA

Nutting purchased these homes because he felt each represented a dissimilar amount of time of early colonial American style and taste. It was here, along with his own homes Nuttinghame (Southbury, CT) and Nuttingholme (Framingham, MA), that the majority of his Interior pictures were taken. Nutting’s desire to provide the most rectify and suitable settings for his Interior scenes led him in his quest to gather one of the best collections of early American furniture ever assembled. He would use the best examples of early American furniture in his Interior scenes and, when he couldn’t find it, he would reproduce it. (We’ll focus on his reproduction furniture in a subsequent article).

Working in Southbury CT from 1905-12, and then in Framingham MA from 1912 until his death in 1941, Nutting sold in a literal sense millions of his hand-colored photographs. He claims to have sold around 10,000,000 pictures although, knowing his habit of exaggeration, that number is probably somewhat high.

Whatever the unfeigned number, it was large. Wallace Nutting pictures were from time to time called “poor man’s prints“. Sold all around the initial quarter of the 20th century, well before the invention of color photography, these pictures initially sold in a literal sense for pennies. His market was primarily the middle and lower middle classes…those households which could not afford finer forms of art. Because of their low price, Wallace Nutting pictures were purchased in huge numbers. By 1925, scarcely an American middle-class household was without one as they were purchased as gifts for weddings, showers, Christmas, birthdays, and for just regarding any other reason imaginable.

Nutting sold a good deal of pictures directly through his studios where he also provided his own framing services. But he also sold his pictures through numerous other outlets as well: section stores, drug stores, and gift shops, all around the country. He even had full-time salesmen on the road whose sole occupation was to trade his pictures to these selling establishments. Salesmen whom, he claims, sold sufficient pictures to retire rather handsomely themselves.

The height of Wallace Nutting picture popularity was 1915-25. During this time Nutting had almost 100 colorists in his employment, along with another 100 workers who acted as framers, matters, salesmen, management, and various administrative office personnel. Let there be no fault when it comes to it…Wallace Nutting’s pictures were huge business. But by the late 1920′s, persons started out to tire of Wallace Nutting. As with any other fashion or style, tastes begun to modify with time. Wallace Nutting pictures became passé and sales showed a steady decline. Even the introduction of dissimilar matting styles, greeting cards, pen-type silhouettes, and lower priced machine-produced routine prints could not rejuvenate sales.

The Wall Street crash of 1929 and the following depression all but sealed the fate of the Wallace Nutting picture business. Although it remained in operation even after his death, the output was inconsequential after the early 1930′s. Over the years, millions of Wallace Nutting pictures were in all probability thrown away. Many of those that stay show the signs of 60-90 years of wear after being stored in attics and basements, with water stains, broken glass, dust, dirt, and mildew.

As the firstborn owners of Wallace Nutting pictures have grown older or passed on, their Wallace Nutting pictures have also been passed on to another generation. Some were given directly as gifts, others were inherited by children and grandchildren. Those that weren’t passed along to families were sold at auctions, estate sales, tag sales, and flea markets where they re-entered the collectables mainstream for the duration of the 1975-2000 period.

What are gatherers looking for? Just as in Wallace Nutting’s time, Exterior scenes have the widest appeal. Interior scenes have a more fixed appeal, but since they are rarer, they distinctively command a higher price than Exterior scenes. However, we have seen that as America’s fascination with the “Country” look has diminished over the past 5-10 years, interest in Nutting’s Interior scenes has softened as well.

The most desirable pictures to severe Nutting collectors are Miscellaneous Unusual Scenes. These are pictures which fall outside the more ordinary Interior and Exterior scenes: Architecturals, Children, Florals, Foreign, Men, Seascapes, Snow scenes, and a select few geographical rarities. Nutting’s basi sales in these categories were significantly lower than with his Exterior and Interior scenes, accordingly their “/i>rarity” attracts collectors. Just as in other areas of collecting, the rarest examples, in the best condition, are the easiest to sell, no matter of price. But just as necessary as rarity and subject matter is condition. Collectors want pieces in magnificent condition and imperfections such as water stains, blemishes, poor coloring, or damaged frames may all significantly reduce value.

As of 2010 the Auction record for a Wallace Nutting hand-colored photograph stands at $9,300.00, which is rather reasonable within the high-priced world of Antiques & Collectibles. However, as the economy has softened, so too have Wallace Nutting prices and perhaps 90% of Wallace Nutting pictures are marketing in today’s market for less than $150-$200. And some may be had for $50-$75 or less. Which means that if you be grateful for Wallace Nutting Pictures, this is in all likelihood the best time to buy them in the past 25 years.


About the AuthorMichael Harker is a documentary photographer who started photographing barns in 1993. A mercantile photographer for more than twenty-five years and an ophthalmic photographer for the University of Iowa Hospitals and Clinics, Harker is author of Harker’s Barns: Visions of an American Icon (Iowa 2003, text by Jim Heynen). He is presently taking photos for books on one-room schoolhouses and courthouses of Iowa.

Still Standing Postcard Book Photographs

Still Standing Postcard Book Photographs Image

Still Standing Postcard Book Photographs

Still Standing Postcard Book Photographs Image

Still Standing Postcard Book Photographs

Still Standing Postcard Book Photographs Picture

Still Standing Postcard Book Photographs

Still Standing Postcard Book Photographs Pic

Still Standing Postcard Book Photographs

Still Standing Postcard Book Photographs Photo

Still Standing Postcard Book Photographs

Still Standing Postcard Book Photographs Photo


Most helpful customer reviews

1 of 1 people found the following review helpful.
5A striking new collection of thirty memorable black-and-white photograph postcards
By Midwest Book Review
Still Standing: A Postcard Book Of Barn Photographs by midwestern photographer Michael P. Harker is a striking new collection of thirty memorable black-and-white photograph postcards featuring the diverse barns of Iowa and the Midwest farmsteads. Vivid images of barn structures in all manner of weathering and disrepair, the images are simply stunning, Still Standing features barns ranging from a pioneer Swedish design, to Dutch, square, round, brick and wood structures for an impressively diverse compilation. Still Standing is very highly recommended for all lovers of the greater Midwest area searching for an enthralling anthology of pictorial representative postcards definitively creating the image of what really makes the Iowa and its surrounding states exactly what they are. The only problem is whether or not anyone could bring themselves to actually use the individual pages as the actual postcards they are expertly designed to be — and therefore no longer continue to have and enjoy them for themselves!

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